Philosophy of Literature : An Introduction book TXT, DJV
9780415144865 English 0415144868 Literature, like the visual arts, poses its own philosophical problems. While literary theorists have discussed the nature of literature intensively, analytic philosophers have usually dealt with literary problems either within the general framework of aesthetics or else in a way that is accessible only to a philosophical audience. The present book is unique in that it introduces the philosophy of literature from an analytic perspective accessible to both students of literature and students of philosophy. Specifically, the book addresses: the definition of literature, the distinction between oral and written literature and the identity of literary worksthe nature of fiction and our emotional involvement with fictional charactersthe concept of imagination and its role in the apprehension of literary workstheories of metaphor and postmodernist theory on the significance of the authors' intentions to the interpretationof their workan examination of the relevance of thruth and morality to literary appreciationLucid and well organised and free from jargon, hilosophy of Literature: An Introduction offers fresh approaches to traditional problems and raises new issues in the philosophy of literature., Literature, like the visual arts, posess its own characteristic philosophical problems. Literary theorists have discussed widely the nature of literature, while analytic philosophers have dealt with literary problems within the framework of aesthetics or have restricted themselves to topics which are accessible only to a philosophical audience.Philosophy of Literatureis unique in that it introduces the philosophy of literature from an analytic perspective which is both accessible to students of literature and students of philosophy. Specifically, the book addresses: the definition of literature, the distinction between oral and written literature and the identity of literary works.Philosophy of Literatureoffers fresh approaches to traditional issues and raises new questions about the nature of philosophical problems which literature gives rise to., Music Musique is a study of American and French composers active in the late 19th through early 20th centuries and the influence of jazz on their compositional styles. Starting with a look at the formation of American and French styles of composition, Meister discusses the jazz influence on American composers such as Ives, Copland, and Seeger, and their reception in France. She then takes a parallel look at the jazz influence on prominent French composers such as Ravel, Milhaud, and Messiaen, with a conclusion that briefly outlines post--World War II musical developments.Considerable attention is paid to the social and political worlds in which these artists lived and created. Of particular interest is the community of Afro-American jazz musicians who settled in Paris after World War I, and their influence on the likes of Ravel, Milhaud, Satie, and other artists with New Orleans--based styles. Meister also discusses the more famous coteries of American writers who lived and worked in Paris during the 1920s and 1930s. The stories of these two groups of Americans in Paris form a fascinating background to the main topic of the book.Music Musique is intended for amateurs and experts alike; it provides ideas about repertoire as well as information about compositions that are likely to be heard in performance. The emphasis of the text is always on the piano solo literature or other piano music -- song accompaniments, piano duets, or internal orchestral piano parts., This work introduces the philosophy of literature from an analytic perspective. Topics include: the definition of literature; the distinction between oral and written literature and the identity of literary works; the nature of fiction, along with an examination of our emotional involvement with fictional characters and situations; the concept of imagination and its role in the apprehension of literary and non-literary works; theories on metaphor and postmodernist theory on the role of the author's intention in the appreciation of his/her work; and an examination of the concepts of truth and morality and whether literary appraisal is subjective or objective.
9780415144865 English 0415144868 Literature, like the visual arts, poses its own philosophical problems. While literary theorists have discussed the nature of literature intensively, analytic philosophers have usually dealt with literary problems either within the general framework of aesthetics or else in a way that is accessible only to a philosophical audience. The present book is unique in that it introduces the philosophy of literature from an analytic perspective accessible to both students of literature and students of philosophy. Specifically, the book addresses: the definition of literature, the distinction between oral and written literature and the identity of literary worksthe nature of fiction and our emotional involvement with fictional charactersthe concept of imagination and its role in the apprehension of literary workstheories of metaphor and postmodernist theory on the significance of the authors' intentions to the interpretationof their workan examination of the relevance of thruth and morality to literary appreciationLucid and well organised and free from jargon, hilosophy of Literature: An Introduction offers fresh approaches to traditional problems and raises new issues in the philosophy of literature., Literature, like the visual arts, posess its own characteristic philosophical problems. Literary theorists have discussed widely the nature of literature, while analytic philosophers have dealt with literary problems within the framework of aesthetics or have restricted themselves to topics which are accessible only to a philosophical audience.Philosophy of Literatureis unique in that it introduces the philosophy of literature from an analytic perspective which is both accessible to students of literature and students of philosophy. Specifically, the book addresses: the definition of literature, the distinction between oral and written literature and the identity of literary works.Philosophy of Literatureoffers fresh approaches to traditional issues and raises new questions about the nature of philosophical problems which literature gives rise to., Music Musique is a study of American and French composers active in the late 19th through early 20th centuries and the influence of jazz on their compositional styles. Starting with a look at the formation of American and French styles of composition, Meister discusses the jazz influence on American composers such as Ives, Copland, and Seeger, and their reception in France. She then takes a parallel look at the jazz influence on prominent French composers such as Ravel, Milhaud, and Messiaen, with a conclusion that briefly outlines post--World War II musical developments.Considerable attention is paid to the social and political worlds in which these artists lived and created. Of particular interest is the community of Afro-American jazz musicians who settled in Paris after World War I, and their influence on the likes of Ravel, Milhaud, Satie, and other artists with New Orleans--based styles. Meister also discusses the more famous coteries of American writers who lived and worked in Paris during the 1920s and 1930s. The stories of these two groups of Americans in Paris form a fascinating background to the main topic of the book.Music Musique is intended for amateurs and experts alike; it provides ideas about repertoire as well as information about compositions that are likely to be heard in performance. The emphasis of the text is always on the piano solo literature or other piano music -- song accompaniments, piano duets, or internal orchestral piano parts., This work introduces the philosophy of literature from an analytic perspective. Topics include: the definition of literature; the distinction between oral and written literature and the identity of literary works; the nature of fiction, along with an examination of our emotional involvement with fictional characters and situations; the concept of imagination and its role in the apprehension of literary and non-literary works; theories on metaphor and postmodernist theory on the role of the author's intention in the appreciation of his/her work; and an examination of the concepts of truth and morality and whether literary appraisal is subjective or objective.